Showing posts with label church decor. Show all posts
Showing posts with label church decor. Show all posts

The exact origin of stained glass is not known, but we do know that the earliest stained glass window that is still intact is from St. Paul’s Monastery in Jarrow, England and dates back to approximately 680 AD. But evidence shows that ancient Egyptians and Romans also likely created stained glass.

The Egyptian village of Qantir shows evidence of an ancient glass-making factory. Ancient Egyptian materials that were uncovered show that these artisans would combine crushed quartz with the remains of burned plants. This was then heated in clay jars, ground into a powder, and then combined with chemicals to produce a red or blue color.

In the Medieval Period in Europe, stained glass window-making began to flourish and peaked during the Gothic Period. This trend remained strong across the countries of Europe well into the Renaissance Period, before its popularity began to decline.

During this period in America, stained glass was in its infancy. Glass-making was the first American industry, founded in 1608 in Jamestown, Virginia. However, early Christians in America would meet in houses instead of new church buildings to worship and any new church buildings were usually adorned with shutters instead of windows.

Evert Duyckingh opened a glass-window business in New Amsterdam (present-day New York City) in 1637 or 1638. One of his specialties was creating family coats of arms in windows. He eventually hired an apprentice named Cornelius Jansen who is on record requesting payment from a church in 1656 that had purchased his glass windows.

In 1654, Jan Smeedes had a glass business in Manhattan that began manufacturing roundels. A roundel is a circular glass window that often contains emblems. Several centuries passed before William Gibson opened a glass manufacturing operation in 1834 in New York City. This first attempt was not successful, but Gibson attempted the business once more later in the 19th century, during which he proclaimed himself to be the “father of glass painting”. It was at this time that Harry Horwood began to work for Gibson.

Horwood worked for Gibson during the 1870s and it was during this time that he restored the stained glass windows at the famous Vanderbilt Mansion in New York City. Shortly after, in 1876, he opened his own stained glass business in Ottawa. He eventually opened a second office in New York City, when he created the stained glass for the Ogdensburg Opera House in Ogdensburg, New York.

Robert Bolton came to New York from England and created the first known American-made figural window in 1843 for the Nativity for Christ Church in Pelham, New York. He returned to England and opened a stained-glass business. His brother, John, also made stained glass in America.

The trade was slow to get off the ground in the U.S. and struggled until the end of the 19th century. In 1880, John LaFarge, a famous American muralist, invented opalescent stained glass windows. He and Louis Tiffany, whose family started the famous Tiffany and Company, fought over who was the true inventor. Information on the subject is inconclusive, but apparently, both claim to be the first to utilize opalescent sheets in windows. Tiffany went on to start the Tiffany Glass Company, which produced thousands of windows. LaFarge and Tiffany also utilized the confetti, drapery, and ridged styles in stained glass windows.

Other major artists came onto the scene creating stained glass and incorporating it into larger projects. Well-known architect and interior designer, Frank Lloyd Wright, was also a creator of stained glass windows and used them in many of his major projects, including Robie House in Chicago.

Gothic-style stained glass windows were now gaining popularity in America and in Europe, renewing the styles from the Medieval Period. Stained glass in multiple styles was being seen across the country in several different church denominations. This revived interest ran strong until the depression hit in the 1930s and 1940s.

Today, stained glass is gaining in popularity again and is offered in many different styles. Options and looks are seemingly endless, especially when the manufacturer takes on custom orders. Stained glass is being incorporated into residential décor, businesses and churches across the country.


When building a new church or updating an existing one, make sure your furniture choices put your church’s needs first. With your church’s requirements in mind, look at what is trending to help make a wise decision with your décor. According to data supplied from sales statistics from top church furniture manufacturer, Church Furniture Store, trends have changed in recent years in what churches are choosing for their sanctuaries.

Wood Stain

Wood pulpits have been far more popular for several decades than acrylic and metal podiums. The interest in hand-crafted, American podiums has skyrocketed even more in recent years. Several years ago, acrylics and metal podiums had the spotlight, but just like most trends, they are sure to make a comeback in years to come.

Although the overall stain color preference has not changed drastically since 2014, there are some new favorites that have emerged. Light and medium stains are still very popular, but darker stains that resemble a walnut color are suddenly more popular than they were just four years ago. Reds are also gaining a lot of popularity for wood staining.


Fabric Color

Something as simple as fabric color can have drastic changes in popularity over a short period. From just 2015 to 2018, one of the most popular fabric colors for CFS customers, burgundy, fell from most popular to moderately popular. But in 2018, the most widely chosen fabric color is a charcoal gray, which was one of the least popular colors just three years earlier in 2015.

Purple fabrics that were very popular in 2015 have not been as popular in 2018. However, fabrics that contain one single shade of purple are better liked than colors with various shades of purple woven throughout. But only a few years earlier, that multi-color purple fabric was one of the most popular colors chosen by CFS customers.


2015’s second most trendy fabric color was espresso, which is a combination of dark brown, black and light brown threads that combine to form a dark brown from a distance. Often, consumers like fabrics that have multiple colors woven into a pattern so that it is easier to coordinate other colors in the room, such as carpet.

When it comes to choosing colors of fabric and furniture for the church, one wrong color choice can mean having to revisit the project. Making sure you have it right the first time can help you to be a good steward of the money that God has given to the church.